FX’s The Full Monty sequel is a flawed but worthwhile exploration of the challenges facing post-industrial Britain. It delves into important issues, such as suicide and unsympathetic government policies, albeit with a heavy-handed touch.
The sequel’s most glaring departure from its predecessor is its conscious choice to veer away from the scheming Gaz and the camaraderie that defined the original characters. It abandons the dynamics between the original characters, relegating them to a secondary role. This shift makes way for a whole host of new characters, who, unfortunately, lack the strength and depth to carry the narrative forward. It’s a missed opportunity and a shame.
While the original Full Monty film held a mirror to the crisis of masculinity in 1990s Britain—a crisis marked by the loss of jobs, shifting gender dynamics, and questions about sexual prowess—the sequel’s departure from the original concept raises the question of whether it is the appropriate vehicle to address the myriad issues it attempts to tackle. The sequel seems to lose its way in its attempt to grapple with complex social and economic problems, missing the mark when compared to its predecessor.
One redeeming aspect of the sequel is the performances from the cast, which are generally good. Nathan’s development, in particular, stands out as a moving and well-executed storyline. Additionally, Miles Jupp’s character offers promise. His character is sympathetic and well-acted, and most importantly, genuinely funny, making him a highlight in the sequel.
However, the treatment of certain issues, like benefit sanctions, leaves much to be desired. The episode focusing on this topic is poorly written and lacks the finesse needed to tackle such a serious issue effectively. It fails to recapture the finely crafted levity of the original film, making it more akin to a lackluster sitcom than a poignant exploration of real-world problems.
Despite its lacklustre approach and missed opportunities, there are moments that manage to salvage some of the sequel’s charm. Dave’s relationship with Twiglet serves as a shining light, portraying him as a quasi father figure. Des, in her protective role over her younger siblings, adds depth to the narrative. Perhaps the most notable transformation is that of Nathan, a character who evolved from the original movie script, reminiscent of Anthony in later The Royle Family episodes.
And if nothing else, it’s worth watching for the memorable dance scene at knifepoint—a moment that encapsulates the spirit of the original film and makes the sequel worthy of viewing.
In the end, The Full Monty sequel is a mixed bag, with both strengths and weaknesses. While it may stumble in its execution and depart from the heartwarming original concept, it is a commendable attempt to delve into complex and challenging issues. If I’m going to give it a star rating, then the dance scene at knifepoint elevates it to two.
Rating: Two Stars **