Reduced Voltage’’s cosmic feel and motorik drive features David Rhodes’ guitar unfurling in waves of immersive tones alongside subtle electronics.
The new single is accompanied by a remix from long-time co-conspirator, John Grant who enthuses, “I have loved Blancmange for close to four decades, so it’s such an honour to be asked to remix a track off the new record. It was a blast and it’s my first. Hope you enjoy.”
Across the album, there’s a deft marriage of futuristic electronic sounds, Arthur’s unmistakable vocal hooks, and songs that veer from buoyant and joyful to dark and brooding. Benge returns as a key collaborator, and David Rhodes (Kate Bush, Peter Gabriel, Scott Walker) returns as the guitarist, having previously performed with the band on 1982’s debut Happy Families (as well as several other Blancmange albums) In their post-punk early days, Blancmange made tape loops and experimental sounds with kitchen utensils, before developing into one of the definitive chart-topping British electronic pop acts. Since 2011, Arthur has harnessed a duality of experimentation and seamless pop melody to release a staggering 10 albums in the last decade. “I don’t know whether I’m on a roll but I feel something in me has been released,” he says. “I used to hold back and I didn’t trust myself. While I’m still full of self-doubt I’m now quite comfortable with it. This is it. We’ve only got one time around the block, so make the most of it.”
The past is used as a trigger to create new ideas and build fresh momentum, not as somewhere to linger. “A lot of people are frightened of the future and are quite happy to have a repeat of something that was done before,” he says. “But it’s just not for me. Looking forward you’ve got a hell of a world to try and navigate through at the moment. We’re all moving forward – so we’ve got to try and find some answers.”
There is a lot to be excited about this coming autumn as the tour is kicking off at Rough Trade East on 1st October. In addition, the forthcoming album (out 30th September) , Private View captures an artist who is potently in the moment when it comes to creating new work, while also being able to draw on 40 years’ worth of knowledge, experience and built-in intuition. “I’m really lucky to be able to make the music completely on my own terms,” Arthur says. “Within myself there are no limits, there’s a massive palette inside and I will try anything.”