It was the summer of 2014 when I first stumbled upon the delightful sounds of Pokey LaFarge. Riverboat Soul was my gateway to a musical universe that I had only dreamt of—a world where American roots, country blues, and early 20th-century jazz reigned supreme. Since then, my admiration for LaFarge and his distinctive retro revival sound has only deepened, leading me to explore similar artists like The Devil Makes Three and the Ruen Brothers.
Each subsequent release from LaFarge has been met with immense anticipation and growing excitement. His evolution from a niche retro artist to a more mainstream figure has been a journey I’ve followed keenly. Yet, despite my unwavering fandom, I have not yet had the fortune to witness his magic live. The news that he will be performing at Liverpool Philharmonic’s Music Room this summer feels nothing short of a divine intervention. Maybe, just maybe I’ll get the chance!
Pokey LaFarge’s music channels the rich traditions of American roots, blending country blues and jazz with a craftsmanship that is both nostalgic and innovative. The light, heady feel of his tunes transports listeners to a bygone era, where the charm and grace of early American music flourish once again. His dedication to honoring and reinventing these traditions has made him a standout figure in contemporary American roots music.
LaFarge’s work with The South City Three, especially on Middle of Everywhere, epitomises this blend of homage and innovation. This album is a testament to their ability to commandeer the legacies of their artistic forebears and create something uniquely their own. The album’s Midwestern country blues, Western swing, sweet harmony vocals, and hints of New Orleans style horns and lap steel make it a particularly fitting title. Tracks like “Head to Toe” and “Ain’t the Same” showcase LaFarge’s honest, approachable songwriting, while The South City Three provide an impeccable up-tempo driving rhythm that keeps the listener engaged from start to finish.
As much as I admire Middle of Everywhere, it’s LaFarge’s 2024 album, Rhumba Country, that I consider his greatest achievement yet. This album is a near-perfect blend of all the elements that make LaFarge’s music so captivating. The intricate melodies, heartfelt lyrics, and flawless execution make it feel as if it was written specifically for me. I make no apologies for going full fanboy over this masterpiece.
From 2015’s Something in the Water to 2017’s Manic Revelations, and from 2020’s Rock Bottom Rhapsody to 2021’s In the Blossom of Their Shade, each album has been a milestone in LaFarge’s illustrious career. But Rhumba Country stands out as the crowning jewel, showcasing his evolution as an artist and his command over his craft.
Pokey LaFarge’s journey is a testament to the enduring appeal of retro music and its ability to captivate modern audiences. His music is not just a throwback to years past; it is a vibrant, living homage that breathes new life into the traditions of American roots, country blues, and jazz. As he steps out with accordant confidence, LaFarge proves time and again that he is a musical force to be reckoned with.
I eagerly await the opportunity to see him perform live, to witness firsthand the magic that has enchanted me for so long. Until then, I’ll be spinning Rhumba Country on repeat, basking in the brilliance of Pokey LaFarge’s timeless sound.
Tickets here.
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