Overall Rating: ⭐⭐⭐⭐
Local playwright Dave Kirby returns with Lost Soul 2, a hilarious yet deeply poignant sequel that perfectly captures the trials and tribulations of midlife. This must-see show at Liverpool’s Royal Court Theatre is packed with emotional depth, making it a standout production.
While all actors deserve praise, the highest accolades must go to Dave Kirby. His script resonates profoundly with anyone over 40 grappling with a midlife crisis. The clever comedy transcends generations, provoking thought and introspection in both young and older audiences. Kirby adeptly reflects the insecurities and unspoken fears we often harbour, making the play both relatable and uncomfortable in the best possible way. The abundance of laughs ensures the play is not only an enjoyable watch but also a conversation starter long after you’ve left the theatre.
Smigger (played by Andrew Schofield) is the heart of the story. Trapped in a midlife crisis, he yearns to reclaim his youth, longing for the days of 70s soul music and carefree dancing with friends Donna (Lindzi Germain), Terry (Paul Duckworth), and Pat (Catherine Rice). Schofield portrays Smigger as a man on the edge—vulnerable, frustrated, yet ultimately loyal. His journey is one of self-discovery, as he grapples with feeling undesired by his wife, burdened by his responsibilities, and overlooked by his egotistical daughter. This is clever comedy at its finest, reflecting the everyday struggles many of us face.
The rotating set design was impressively executed, ensuring the audience was never in doubt about the setting of each scene. Coupled with multiple costume changes, the play’s believability and authenticity shone through.
Adding to the play’s charm was the superb 70s soundtrack, seamlessly woven into the narrative, evoking nostalgia and enhancing the overall experience.
Interview with Dave Kirby – Writer
How does writing a play differ from a book?
I find plays easier to write, despite attending workshops early in my career. While books offer more freedom for character development, I prefer writing dialogue. It’s hard to believe it’s been 18 years since Brick Up the Mersey Tunnels premiered at the Royal Court, transforming it into Liverpool’s “people’s theatre.” Seven hit shows later, it’s great to be back with Lost Soul 2.
What is your planning process, and what tips would you give budding writers?
I write about what I know, drawing characters from people I’ve encountered during my 20 years in the building trade. A book typically takes 6-7 months to plan, whereas a play takes around 3-4 months. I always start with a clear beginning, middle, and end, but I enjoy letting characters wander off on tangents in books before reining them back in. My biggest tip? Get a reliable mentor. I was lucky enough to have Alan Bleasdale, who provided invaluable feedback. Now, I aim to do the same for others. Just write about what you know—it’ll always be authentic.
What’s the most positive and negative feedback you’ve received?
Liverpool audiences are tough. They want humour, compelling characters, and their city portrayed positively. As a former plasterer, my old colleagues have never held back on their opinions. Some recognised themselves in my characters, sparking both laughter and reflection. While professional critics can be hit or miss, I always listen and use feedback to improve. Writing is about entertainment and escapism, and my goal is to transport audiences from their everyday lives.
Do you feel pressure to cast local actors in your plays?
Yes and no. Everyone has to go through rigorous casting. While I’ve often cast Andrew Schofield, a school friend and incredibly talented actor, it’s not about friendship—it’s about getting the right person for the role. I’ve collaborated with Bob Eaton on 17 productions, and I trust him implicitly. Lindzi Germain, who stepped in for Tina Malone years ago, has proven herself time and again, making her perfect for the role of Pat.
Photo Credit: AB Photography
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