The Playhouse remains Liverpool’s finest theatre, consistently building on its reputation for high-quality productions and a diverse selection of plays.This modern adaptation successfully introduces new audiences to the Bard’s work—an achievement worthy of high praise. While at times the production felt heavy-handed and overly political, it ultimately delivered on its powerful intent.Brigid Larmour, in collaboration with Tracey-Ann Oberman, reimagined the play against the backdrop of 1936 Britain, during the rise of Nazi persecution of the Jewish community. For Oberman, this perspective was deeply personal, subtly acknowledged in the closing scene of Act 2. She honoured her ancestors by delivering a dramatically explosive narrative, resonating with many and remaining relevant in today’s world.As a lover of Shakespeare’s classics, I sometimes struggle with adaptations that seem driven purely by creativity rather than necessity. However, Oberman’s portrayal of Shylock as a resilient single mother and hard-working businesswoman—desperate to secure her daughter’s future—was both compelling and thought-provoking.The production struck a fine balance: tense yet tender, alarmingly violent yet electrifying, while still honouring the comedic moments of Shakespeare’s original text. The charismatic merchant Antonio remained true to the traditional character, adding to the authenticity of the piece.This powerful performance had audiences on their feet at the end of both acts—a true testament to the actors’ skill, the strength of the characterisation, and the impact of the set design.This play runs until Saturday, 8th February, with only a few tickets remaining. Secure yours directly from the box office to witness how Shakespeare should be delivered.Overall Rating: ★★★★★
There’s something about Suzanne Vega that makes time slow down. Maybe it’s the precision of her language, the economy of her voice,
When the Africa Oyé festival takes a rare breather, you better believe something special is brewing in its place. This June, one
There are voices that entertain—and then there are voices that linger. Blick Bassy’s belongs firmly in the second camp. The Cameroonian singer-songwriter
The Broken Spine is a poetry and arts collective proudly published on the coastal edge of North-West England. Founded in 2019 by Alan Parry and Paul Robert Mullen – two school friends reunited after twenty years through a mutual love of poetry.
